The following books are currently available to review for InVisible Culture. We also welcome reviews of books not on this list. Please email us a proposal to firstname.lastname@example.org if you’d like to review a new or recent title and we will procure a copy from the publisher.
Baer, Nicholas, Maggie Hennefeld, Laura Horak, and Gunnar Iverson, eds. Unwatchable. New Brunswick: Rutgers University Press, 2019.
Best, Stephen. None Like Us: Blackness, Belonging, Aesthetic Life. Durham: Duke University Press, 2018.
Beugnet, Martine, Allan Cameron, and Arild Fetveit, Indefinite Visions: Cinema and the Attractions of Uncertainty. Edinburgh: Edinburgh University Press, 2017.
Chambers-Letson, Joshua. After the Party: A Manifesto for Queer of Color Life. New York: NYU Press, 2018.
Elias, Chad. Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon. Durham: Duke University Press, 2018.
Gopinath, Gayatri. Unruly Visions: The Aesthetic Practices of Queer Diaspora. Durham: Duke University Press, 2018.
Haidegger, Ingrid. Watch It! Movie Posters as Marketing Tools and Genre Indicators. Heidelberg: Universitätsverlag Winter, 2017.
Hlavajova, Maria and Simon Sheikh, ed. Former West: Art and the Contemporary after 1989. Cambridge: MIT Press, 2017.
Jones, D.B. The Documentary Art of Filmmaker Micheal Rubbo. Calgary: University of Calgary Press, 2017.
Krauss, Rosalind, ed. William Kentridge (October Files 21). Cambridge: MIT Press, 2017.
Lavin, Maud, Ling Yang, and Jing Jamie Zhao, eds. Boys’ Love, Cosplay, and Androgynous Idols Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan. Hong Kong: Hong Kong University Press, 2017.
Milburn, Colin. Respawn: Gamers, Hackers, and Technogenic Life. Durham: Duke University Press, 2018.
Navitski, Rielle. Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil. Durham: Duke University Press, 2017.
Robertson Wojcik, Pamela, ed. The Apartment Complex: Urban Living and Global Screen Cultures. Durham: Duke University Press, 2018.
Singerman, Howard, ed. Sherrie Levine (October Files 23). Cambridge: MIT Press, 2018.
Steinbock, Eliza. Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change. Durham: Duke University Press, 2019.
Tlostanova, Madina. What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire. Durham: Duke University Press, 2018.
Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form Since 1968. Cambridge: MIT Press, 2017.
Welbon, Yvonne, and Alexandra Juhasz, eds. Sisters in the Life: A History of African-American Lesbian Media-Making. Durham: Duke University Press, 2018.