Reviewable Books

The following books are currently available to review for InVisible Culture. We also welcome reviews of books not on this list. Please email us a proposal to if you’d like to review a new or recent title and we will procure a copy from the publisher.

Baer, Nicholas, Maggie Hennefeld, Laura Horak, and Gunnar Iverson, eds. Unwatchable. New Brunswick: Rutgers University Press, 2019.

Balsom, Erika and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: MIT Press, 2016.

Best, Stephen. None Like Us: Blackness, Belonging, Aesthetic Life. Durham: Duke University Press, 2018.

Beugnet, Martine, Allan Cameron, and Arild Fetveit, Indefinite Visions: Cinema and the Attractions of Uncertainty. Edinburgh: Edinburgh University Press, 2017.

Broomer, Stephen. Hamilton Babylon: A History of the Mcmaster Film Board. Toronto: University of Toronto Press, 2016.

Bryan-Wilson, Julia. Fray: Art + Textile Politics. Chicago: University of Chicago Press, 2017.

Cook, Sarah, ed. Information. Whitechapel: Documents of Contemporary Art. Cambridge and London: MIT Press, 2016.

Elias, Chad. Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon. Durham: Duke University Press, 2018.

Gopinath, Gayatri. Unruly Visions: The Aesthetic Practices of Queer Diaspora. Durham: Duke University Press, 2018.

Haacke, Hans. Working Conditions: The Writings of Hans Haacke. Edited by Alexander Alberro. Cambridge: MIT Press, 2016.

Haidegger, Ingrid. Watch It! Movie Posters as Marketing Tools and Genre Indicators. Heidelberg: Universitätsverlag Winter, 2017.

Hlavajova, Maria and Simon Sheikh, ed. Former West: Art and the Contemporary after 1989. Cambridge: MIT Press, 2017.

Hariman, Robert and John Louis Lucaites. The Public Image: Photography and Civic Spectatorship. Chicago: University of Chicago Press, 2016.

Hatherley, Owen. The Chaplin Machine: Slapstick, Fordism and the Communist Avant-Garde. Cambridge: Pluto Press, 2016.

Horton, Jessica L. Art for an Undivided Earth: The American Indian Movement Generation. Durham: Duke University Press, 2017.

Jones, D.B. The Documentary Art of Filmmaker Micheal Rubbo. Calgary: University of Calgary Press, 2017.

Krauss, Rosalind, ed. William Kentridge (October Files 21). Cambridge: MIT Press, 2017.

Lavin, Maud, Ling Yang, and Jing Jamie Zhao, eds. Boys’ Love, Cosplay, and Androgynous Idols Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan. Hong Kong: Hong Kong University Press, 2017.

Lee, Patricia. Sturtevant: Warhol Marilyn. United Kingdom: Afterall Publishing, 2016.

Navitski, Rielle. Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil. Durham: Duke University Press, 2017.

Nixon, Mignon, ed. Mary Kelly. Cambridge: MIT Press, 2016.

Rabinow, Paul. Unconsolable Contemporary: Observing Gerhard Richter. Durham: Duke University Press, 2017.

Ramos, Filipa, ed. Animals. Whitechapel: Documents of Contemporary Art. Cambridge and London: MIT Press, 2016.

Robertson Wojcik, Pamela, ed. The Apartment Complex: Urban Living and Global Screen Cultures. Durham: Duke University Press, 2018.

Salter, Mark B, ed. Making Things International 2: Catalysts and Reactions. Minneapolis: University of Minnesota Press, 2016.

Singerman, Howard, ed. Sherrie Levine (October Files 23). Cambridge: MIT Press, 2018.

Tlostanova, Madina. What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire. Durham: Duke University Press, 2018.

Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form Since 1968. Cambridge: MIT Press, 2017.

Welbon, Yvonne, and Alexandra Juhasz, eds. Sisters in the Life: A History of African-American Lesbian Media-Making. Durham: Duke University Press, 2018.

Welsh, Timothy J. Mixed Realism: Videogames and the Violence of Fiction. Minneapolis: University of Minnesota Press, 2016.