Reviewable Books

The following books are currently available to review for InVisible Culture. We also welcome reviews of books not on this list. Please email us a proposal to invisible.culture@ur.rochester.edu if you’d like to review a new or recent title and we will procure a copy from the publisher.

Baer, Nicholas, Maggie Hennefeld, Laura Horak, and Gunnar Iverson, eds. Unwatchable. New Brunswick: Rutgers University Press, 2019.

Best, Stephen. None Like Us: Blackness, Belonging, Aesthetic Life. Durham: Duke University Press, 2018.

Beugnet, Martine, Allan Cameron, and Arild Fetveit, Indefinite Visions: Cinema and the Attractions of Uncertainty. Edinburgh: Edinburgh University Press, 2017.

Bryan-Wilson, Julia. Fray: Art + Textile Politics. Chicago: University of Chicago Press, 2017.

Chambers-Letson, Joshua. After the Party: A Manifesto for Queer of Color Life. New York: NYU Press, 2018.

Elias, Chad. Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon. Durham: Duke University Press, 2018.

Gopinath, Gayatri. Unruly Visions: The Aesthetic Practices of Queer Diaspora. Durham: Duke University Press, 2018.

Haidegger, Ingrid. Watch It! Movie Posters as Marketing Tools and Genre Indicators. Heidelberg: Universitätsverlag Winter, 2017.

Hlavajova, Maria and Simon Sheikh, ed. Former West: Art and the Contemporary after 1989. Cambridge: MIT Press, 2017.

Horton, Jessica L. Art for an Undivided Earth: The American Indian Movement Generation. Durham: Duke University Press, 2017.

Jones, D.B. The Documentary Art of Filmmaker Micheal Rubbo. Calgary: University of Calgary Press, 2017.

Krauss, Rosalind, ed. William Kentridge (October Files 21). Cambridge: MIT Press, 2017.

Lavin, Maud, Ling Yang, and Jing Jamie Zhao, eds. Boys’ Love, Cosplay, and Androgynous Idols Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan. Hong Kong: Hong Kong University Press, 2017.

Milburn, Colin. Respawn: Gamers, Hackers, and Technogenic Life. Durham: Duke University Press, 2018.

Navitski, Rielle. Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil. Durham: Duke University Press, 2017.

Rabinow, Paul. Unconsolable Contemporary: Observing Gerhard Richter. Durham: Duke University Press, 2017.

Robertson Wojcik, Pamela, ed. The Apartment Complex: Urban Living and Global Screen Cultures. Durham: Duke University Press, 2018.

Singerman, Howard, ed. Sherrie Levine (October Files 23). Cambridge: MIT Press, 2018.

Steinbock, Eliza. Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change. Durham: Duke University Press, 2019.

Tlostanova, Madina. What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire. Durham: Duke University Press, 2018.

Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form Since 1968. Cambridge: MIT Press, 2017.

Welbon, Yvonne, and Alexandra Juhasz, eds. Sisters in the Life: A History of African-American Lesbian Media-Making. Durham: Duke University Press, 2018.