All posts tagged: culture

Rochester and Native Art in the 1930s

  When a young, pregnant woman fell through a hole near the uprooted Celestial Tree above the dome of the sky, no one knew where she would go. The world below was inhospitable to her, covered in water. As Sky Woman fell, duck-creatures carried her on their wings to rest on the back of a great turtle. A muskrat then emerged from the water carrying a bit of soil from the sea floor. Smearing it on the back of the turtle, the earth grew wider. Sky Woman walked across the expanding ground, beginning Seneca inhabitance of the earth.1 In 1936 when Ernest Smith completed his painting of the Sky Woman diving into a dark and watery world, many people believed Seneca culture continued a long fall. Centuries of encounter deeply affected pre-contact Seneca culture. The dispersal of land holdings, introduction of Christianity and flooding of Seneca world with new goods all impacted the character of daily life. Finding deep fault with the effects of settler society on the Seneca world, Director of the Rochester Museum …

Announcement Concerning Film and Exhibition Reviews

IVC is expanding its reviews section! InVisible Culture: An Electronic Journal of Visual Culture (IVC) now welcomes film and exhibition reviews from emerging and established scholars and critics in addition to book reviews. IVC accepts both contemporary and historical works of film criticism. Submissions that engage with current academic and popular discourses in film, media, visual and cultural studies and place particular aspects of film and filmmaking within broader social, political, and historical contexts are especially encouraged. For exhibition reviews, IVC invites work that addresses the organization, presentation, and curatorial rationale of a particular exhibition. Exhibition reviews should also consider how viewers engage with the exhibition, focusing on specific artworks and themes within the exhibition. Comparative reviews and critical essays on histories, theories, and practices of artmaking, exhibition, and curatorial models – i.e. biennials, retrospectives, social practice in the public sphere, politics of display, etc. – are also welcomed.All submissions should be between 1000 and 1500 words, and should follow IVC style guidelines. Only original, previously unpublished submissions will be considered. For more information and for IVC’s reviews call for submissions, please visit the contribute section of our …