All posts tagged: Dance

Us, THEM, and High-Risk Dancing

By Tiffany E. Barber In darkness, a live, punk-influenced sound score saturates a converted sixty-nine-seat black box theater in New York’s Lower East Side. The source: electric guitarist Chris Cochrane positioned upstage right.1 Upstage left, a spotlight illuminates two young male dancers from above. One sits in a chair and the other kneels, dressing bandages on the first dancer’s right knee. They wear cool-colored tank tops, loose-fitting khaki pants, and sneakers. Writer Dennis Cooper recites a text in an uninflected monotone alongside the dancers’ initial movements, cuing the piece’s sociopolitical implications: I saw them once. I don’t know when, or who they were because they were too far away. But I remember things, like what they wore, which wasn’t anything special—pants, shirts, regular colors—stuff I’ve seen thousands of times since. I wanted them to know something. I cupped my hands around my mouth and thought about yelling out. But they wouldn’t have heard me. Besides, I didn’t belong there.2 This opening scene sets the stage for Ishmael Houston-Jones’s THEM, an improvised composition at the intersection …