Author: IVC Author

Jennifer Christakos’s States of Being

(title image: States of Being, 2018, installation view. ) Review of Jennifer Christakos’s States of Being (Rochester Public Market – April 2018) Written by Chenchen Yan Jennifer (Jenny) Christakos’s Senior Thesis Exhibition States of Being opened on April 6th at the Yards, a collaborative art space within the bustling Rochester Public Market. Located upstairs from Java’s Cafe, the Yards provided a showcase for three senior Studio Arts majors (Alex Cunningham, Bri Landwersiek, and Jennifer Christakos) throughout April. Each of the artists transformed one corner of the space with their artworks, which enabled fascinating dialogues. When I first entered the Yards, my attention was immediately captured by Christakos’s States of Being, which consisted of five round paintings hung on an expansive grey partition wall, with the artist statement at the left corner. All in similar tones of indigo and navy, in high contrast to light amber, they formed a series of striking depictions of the human body. Painted with acrylic, the canvases appeared in various sizes, the biggest of which was 48 inches in diameter and …

Black and White and Back: Reversed Negatives in Rula Halawani’s series “Negative Incursions”

by Sherena Razek Figure 1 Rula Halawani, Untitled XII, Negative Incursion series, 2002, archival print, 90 x 124 cm, edition of 5. Photograph courtesy of the artist and Ayyam Gallery. Write down! I am an Arab I have a name without a title Patient in a country Where people are enraged My roots Were entrenched before the birth of time And before the opening of the eras Before the pines, and the olive trees And before the grass grew – Mahmoud Darwish, “Identity Card”1 Acclaimed Palestinian poet Mahmoud Darwish expresses the inherent frustration of the Palestinian condition of invisible visibility in his 1964 poem “Identity Card.”2 Addressing an existence that is often negated, confined, and erased under Israeli colonial occupation, Darwish’s poetry speaks to a population that since 1948 has been constantly watched, but never seen. Half a century later, Darwish’s poetry maintains its relevance as the occupation continues to suppress and expand its hold on Palestinian territory. In 2002 during the Second Intifada, or Second Palestinian Uprising, Israeli Defence Forces launched “Operation Defensive Shield,” the …

Dying in Full Detail: Mortality and Digital Documentary

Review by Gwynne Fulton, Concordia University Malkowski, Jennifer. Dying in Full Detail: Mortality and Digital Documentary. Durham: Duke University Press, 2017. 264 pp. In Dying in Full Detail: Mortality and Digital Documentary, Jennifer Malkowski, Professor of Film & Media Studies at Smith College, looks at the intersection of death (as a corporeal and physiological process) and documentary (as a genre and mode of representation) in the digital era. Malkowski’s critical reappraisal of documentary death interrogates the desire to represent death in “full detail,” from analogue photography and film through live-streaming of digital video on mobile platforms. The desire to capture death, Malkowski notes, has “attracted many cameras” (3). It has been variously subject to cultural taboo and fascination; it persists in many modes and across multiple media, serving shifting social and political functions. In “Looking at War,” Susan Sontag registers 1945 as a pivotal turning point in representations of “death in the making.”1 New mobile lightweight technologies registered the brutal cost of modern warfare as never before, impelling debate about the incredible risk and imperious ethical necessity …