All posts filed under: Contributor List

Contributors / Issue 33: After Douglas Crimp

Published by IVC Author

Articles Dr. Matthew Bowman lectures in fine art at the University of Suffolk and regularly writes art criticism for Art Monthly. His research focuses on twentieth century and contemporary art, criticism, and philosophy in the USA and Europe. He has authored numerous essays, many of which focus on the history of art criticism. In 2018 he published “Indiscernibly Bad: The Problem of Bad Art/Good Painting” in Oxford Art Journal and in 2019 “The Intertwining—Damisch, Bois, and October’s Rethinking of Painting.” A new essay, “Art Criticism in the Contracted Field” will be included in the next issue of the Journal of Aesthetics and Art Criticism. Currently, he is finishing editing an essay collection to be published as The Price of Everything and the Value of Nothing: Art Criticism and the Art Market for Bloomsbury and October and the Expanded Field of Art and Criticism for Routledge. www.essex.academia.edu/MatthewBowman  Theo Gordon received his PhD from The Courtauld Institute of Art in 2018, with a thesis on psychoanalysis and art of the American AIDS crisis. He has published in …

Contributors / Issue 32: Rest and the Rest: The Aesthetics of Idleness

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Irene Alcubilla Troughton is a PhD candidate at Utrecht University within the Acting Like a Robot Project, where she researches on what theatre has to offer to the development of human-robot interaction and the design of robot behavior. She holds two RMA degrees in Media, Art and Performance, and Theory and Critique of Culture. Other interests include posthumanism, critical disability studies, and queer studies. Emily R. Bock is a PhD candidate in the Department of Anthropology at the University of Chicago whose research is situated at the intersection of critical race theory, black studies, queer theory, performance studies, and ethnographic methods/writing. Her dissertation, Ordinary Queens: the ball, the streets, and the beyond of survival, is an ethnographic investigation of the everyday lives of members of the underground ballroom scene in Chicago and New York, tracking the diverse aesthetic and performative practices this community has developed for imagining, performing, and securing the “good life.” Before securing an MA in Anthropology from the University of Chicago, Bock danced for choreographers and performance artists in New York City …

Contributors / Issue 31: Black Studies Now and the Countercurrents of Hazel Carby

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Will Bridges is Associate Professor of Japanese at the University of Rochester. His scholarship has been recognized by the Fulbright Program, the Japan Foundation, the Association for Asian Studies, and the National Endowment for the Humanities. His first monograph, Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature, was published in 2020 by the University of Michigan Press. He is currently working on two manuscripts. The first is The Futurist Turn: Anticipatory Aesthetics and Reimagining Possible Futures in Intertemporal Japans. The second is The Black Pacific: A Poetic History. He is also an author of creative nonfiction. Joel Burges is Associate Professor of English and Director of the Graduate Program in Visual and Cultural Studies at the University of Rochester, where he is also faculty in Film and Media Studies and Digital Media Studies. He is the author of Out of Sync & Out of Work: History and the Obsolescence of Labor in Contemporary Culture (Rutgers UP, 2018) and co-editor, with Amy J. Elias, of Time: A Vocabulary of the Present …

Contributors / Issue 30 : Poetics of Play

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Iasmin Omar Ata is a Middle Eastern & Muslim award-winning comics artist, game designer, and illustrator who creates art about coping with illness, understanding identity, dismantling oppressive structures, and Arab-Islamic futurism. Their recent graphic novel, Mis(h)adra, has resonated with readers and reviewers alike with its vivid and searingly honest account of epileptic lived experience. Iasmin has been reviewed by Kirkus, Publishers Weekly, The Electronic Intifada, Library Journal, NPR, and such; they’ve taught & spoken at the New York Public Library and Harvard University. They thrive on dedication, dreams, and hard work — and believe wholeheartedly in the healing power of art. Grant Bollmer is the author of three books, Inhuman Networks: Social Media and the Archaeology of Connection (2016, Bloomsbury), Theorizing Digital Cultures (2018, SAGE), and Materialist Media Theory: An Introduction (2019, Bloomsbury). He is an Assistant Professor of Media Studies at North Carolina State University, where he teaches in the Department of Communication and the Ph.D. program in Communication, Rhetoric, and Digital Media (CRDM), and is an Honorary Associate of the Department of Media …

Contributors / Issue 29: Beyond Love

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Laurel Ahnert is a lecturer in the School of Film, Media & Theatre at Georgia State University. She researches ethical questions raised by global documentary films and online media using phenomenology as her philosophical lens. Her work has appeared in journals such as Social Text and New Review of Film & Television Studies. Tiffany E. Barber is a scholar, curator, and writer of twentieth and twenty-first century visual art, new media, and performance. Her work focuses on artists of the black diaspora working in the United States and the broader Atlantic world. She is Assistant Professor of Africana Studies at the University of Delaware. Loren Britton is an artist and curator based in between Berlin, Germany and New York, USA. Britton’s work explores the transformation of form via linguistic devices. Britton’s work is in relationship to the non-binary body and seeks to reimagine the utopian possibilities of language. Britton has exhibited in solo and group exhibitions at Boston University, Boston, MA, USA; Scott Charmin Gallery, Houston, TX, USA; LTD Gallery, Los Angeles, CA, USA; Vanity Projects, Miami, FL, USA; Field Projects, New …

Contributors / Issue 28: Contending with Crisis

Published by IVC Editorial Board

alma aamiry-khasawnih is a PhD Candidate in the Department of Gender, Women & Sexuality Studies at the University of Washington, Seattle. Her scholarship focuses on access to the street in post-colonial and settler-colonial nation states as a site to understanding and articulating access to citizenship. Her current project examines ephemeral visual culture production as sites that orient, disorient, and reorient feminist debates on gender, class, and religion. She also examines how white-washing walls, cleansing, and beautification projects are all part of authoritarian visual culture and politics of respectability that aim at policing bodies in public spaces. Razan AlSalah is a filmmaker and media artist working between Canada, the US and Lebanon. Her work explores our contemporary (dis)connection to place, which particularly comes to question in digital spaces, and more so now in virtual reality.  Her short film your father was born 100 years old, and so was the Nakba, won Best Narrative Short at Cinema Days Palestine, has been acquired by the Palestine Films Collection and has been selected in film festivals including HotDocs Canadian International Documentary Festival, Ann …

Contributors / Issue 27: Speculative Visions

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Darrell Urban Black was born in Brooklyn, New York, but he grew up in Far Rockaway, New York. In high school, he excelled in science with an affinity for outer space. In June 1969, as America fulfilled J. F. Kennedy’s dream to put the American Stars and Stripes into the dusty surface of the moon his fascination with spaceships grew. As a child, he made spaceship models eventually placing his artistic visions on paper resulting in some 500 drawings. Phantasmal spaceships eventually carried him to unique wonderland of strange forms and colors. In 1982, he joined the National Guard.  During this time, his previous drawings were lost – but not his passion.  In 1988, he joined the army and served another four years. He earned his Bachelor Degree in Science of Criminal Justice Administration at the University of Phoenix. In April 2001, he was nominated by the German government as a “candidate of the year’s prize for promising young artists” for his artwork titled “The Invasion” in the exhibition “The Zeppelin in Art, Design, and …

Contributors / Issue 26: Border Crossings

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Issue 26: Border Crossings (Special double issue, Spring 2017) Matthew Irwin is a PhD student in American studies at the University of New Mexico. He studies visual culture, critical indigenous studies, and environmental and social justice. His dissertation tracks and responds to discourses on citizenship and belonging along Detroit’s Woodward Avenue that, in Jodi Byrd’s words, “make Indian”—and therefore mark for erasure and dispossession—residents who stand to disrupt the city’s redevelopment regime. Christine Vial Kayser is a French art historian, museum curator, and lecturer at Institut Catholique de Paris and IESA International. In 2016 she was Visiting Assistant Professor at Nalanda University. She is associate researcher with CREOPS, a research center on Asian art history, and Langarts, a comparative and multidisciplinary lab. She is interested in the role of art in relation to the social as reflecting spiritual, vital queries, and in the role of the body, of senses, of memories in the permitting the aesthetic experience. After completing a dissertation on the work of Anish Kapoor and its reception in the West, she is now …

Contributors / Issue 25: Security and Visibility

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Issue 25: Security and Visibility (Special double issue, Spring 2017) Barbara Sutton is an Associate Professor in the department of Women’s, Gender, and Sexuality Studies at the University at Albany, State University of New York. She is also affiliated with the departments of Sociology and of Latin American, Caribbean, and U.S. Latino Studies. She earned her Ph.D. in Sociology in the United States and a law degree in Argentina, her country of origin. She co-edited Security Disarmed: Critical Perspectives on Gender, Race, and Militarization (with Sandra Morgen and Julie Novkov; Rutgers University Press, 2008) and is the author of Bodies in Crisis: Culture, Violence, and Women’s Resistance in Neoliberal Argentina (Rutgers University Press, 2010), winner of the 2011 Gloria E. Anzaldúa book prize by the National Women’s Studies Association. Kate Paarlberg-Kvam is a Visiting Assistant Professor of Latin American History at Skidmore College in Saratoga Springs, NY. She holds a PhD in Latin American, Caribbean, and U.S. Latino Studies from the State University of New York at Albany, and conducts research on security discourse, gender, and …

Contributors / Issue 24: Corpus

Published by IVC Editorial Board

Issue 24, Spring 2016 Sarah W. Abu Bakr is a dual degree Art Education and Women’s, Gender, and Sexuality Studies PhD candidate. Sarah is half Palestinian, half Kuwaiti, and holds an MFA in Computational Studio Arts from Goldsmiths, University of London. As an artist, Sarah’s work reflects on her identity as an Arabic/Muslim woman, and meditates on the culture-religion overlap and convolution in the Arab world as well as the Palestinian diaspora. As a scholar, Sarah identifies as a postcolonial feminist and her academic interests include identity, displacement, performance art theory, and decoloniality. Erin McClenathan is an Art History Ph.D. student at the University of Georgia, where she received her M.A. in 2013. Her doctoral project considers the interplay of photographic series and avant-garde filmic structures in interwar print culture. She has presented related research as part of multiple graduate symposia and has also spoken internationally on the relationship between photography and memory in the television series Mad Men. Ali Feser is a doctoral candidate in Anthropology at the University of Chicago. Her research explores …

Contributors / Issue 23: Blueprints

Published by IVC Editorial Board

Issue 23: Blueprints (Fall 2015) William Fairbrother is a non-anthropocentric artist, designer, writer and researcher living and working in London. He recently graduated from the Royal College of Art with a masters in Information Experience Design, and has a background in Archaeology and Anthropology, achieving a first class bachelors at Durham University. Visit his site: http://www.williamfairbrother.co.uk Jim Middlebrook instructs the architectural studios at Smith College in Northampton, Massachusetts. He previously taught architectural design studios and seminars at Kansas State University. After obtaining architecture degrees from the University of Virginia and Columbia University, he worked for the architectural offices of Rafael Vinoly, Rockwell Group, and Kohn Pederson Fox. His research has included examining the role of design-build pedagogy at the liberal arts context, environmentally sustainable planning practices in Scandinavia, and the architectural implications of virtual space and augmented reality technology. Ned Prutzer is a Communications and Media PhD student with the Institute of Communications Research at the University of Illinois at Urbana-Champaign. His research explores GPS and digital mapping platforms, specifically the intersections between their genealogies as forms of media, …