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Issue 33: After Douglas Crimp (Winter 2021)

Introduction / Issue 33: After Douglas Crimp

by IVC Editorial Board

Click here for the Table of Contents by Peter Murphy Featured images: T.L. Litt, Douglas Crimp, New York, 1990. (L) and Douglas Crimp, New York, 1990. (R). Images courtesy of the artist. When it was time to decide the topic for Issue 33 of InVisible Culture, there was no question that it would be on anything other than Douglas Crimp (1944–2019). Douglas—someone who hardly...

January 5, 2022
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Current Issue, Issue 33, Issue Introduction, Issues

Featured

Featured, Issue 33, Issue 33 Special Insert

After Douglas Crimp: Questionnaire

by Daly Arnett, Kendall Deboer, Bridget Fleming, and Peter Murphy Featured image: Courtesy of the Department of Art and Art History at the University of Rochester. As a special...

January 5, 2022
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Articles, Featured, Issue 33

Manhattan-Hanover Transfer

by Lutz Hieber and Gisela Theising We got to know Douglas Crimp, maven of New York AIDS activist art, in the summer of 1990. He seemed to us to...

January 5, 2022
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Articles, Featured, Issue 33

Mourning, Militancy, and Mania in Patrick Staff’s The Foundation

Featured image: Patrick Staff, video still from The Foundation, 2015. Courtesy of Commonwealth and Council, Los Angeles. by Christian Whitworth He was a damned good-looking guy, all right—and in that...

January 5, 2022
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Artworks

Thirty-six Copies of the Mona Lisa

Published by IVC Author

by Cindy Hwang and Hua Xi Thirty-six Copies of the Mona Lisa is a digital poem about oil painting reproductions, Chinese national identity, and Western colonialism. When my friend...

January 5, 2022
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Artworks, Issue 33

After Douglas Crimp Questionnaire Response: Tara Najd Ahmadi

Published by IVC Author

An Art Historian’s Recipe is a short film homage to art historian Douglas Crimp (1944-2019). In the 1970s, Crimp and his boyfriend attempted to publish a Moroccan cookbook in...

January 5, 2022
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Artworks, Issue 33, Issue 33 Special Insert

reviews

January 25, 2022

Minor China: Method, Materialisms, and the Aesthetic

Reviewed by Hsin-Yun Cheng, University of Rochester Hentyle Yapp. Minor China: Method, Materialisms, and the Aesthetic. Durham: Duke University...

by IVC Author
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The book cover for James J. Hodge's Sensations of History
June 10, 2021

Sensations of History: Animation and New Media Art

Reviewed by Stefan Higgins, University of Victoria James J. Hodge. Sensations of History: Animation and New Media Art. Minneapolis:...

by IVC Author
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May 27, 2021

Slavery and the Post-Black Imagination

Reviewed by Luke Jarzyna, University of Rochester Bertram D. Ashe and Ilka Saal, eds. Slavery and the Post-Black Imagination....

by IVC Author
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May 3, 2021

What Does It Mean to Be Post-Soviet?: Decolonial Art from the Ruins of the Soviet...

Reviewed by Anthony Ballas, University of Colorado at Denver Madina Tlostanova. What Does it Mean to be Post-Soviet?: Decolonial...

by IVC Author
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InVisible Culture: An Electronic Journal for Visual Culture (IVC) is a student run interdisciplinary journal published online twice a year in an open access format. Through peer reviewed articles, creative works, and reviews of books, films, and exhibitions, our issues explore changing themes in visual culture. Fostering a global and current dialog across fields, IVC investigates the power and limits of vision.

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Call For Papers: Issue 35, Accessing/Assessing Fashion

On the website for his eponymous luxury fashion label, Telfar Clemens says of his products: “It’s not for you—it’s for everyone.” Eschewing conventional markers of luxury production, Clemens underwrites...

January 22, 2022
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Dialogues

January 5, 2022

Reading Douglas

January 5, 2022

Learning from Douglas: A Course Schedule

January 5, 2022

“All the Gay People Will Disappear”

December 29, 2021

The Weight of the Posthumous: A Review of Etel Adnan “...

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