All posts tagged: interview

The Somnophile’s Guide to Cinema: An Interview with Jean Ma

By Amanda (Xiao) Ju, Jean Ma, Patrick Sullivan, and Madeline Ullrich Featured Image: Still from Cemetery of Splendour (dir. Apichatpong Weerasethakul, 2015). Jean Ma was the keynote speaker for the 12th Visual and Cultural Studies Graduate Conference in 2019, dedicated to the theme “Rest and the Rest: Aesthetics of Idleness.” Since the inaugural event in 1995, the biennial conference has convened scholars from a variety of fields, such as film studies, museum studies, art history, and cultural anthropology, in accordance with the interdisciplinary approach of the program. This interview took place during Professor Ma’s visit to the University of Rochester in April 2019. Before the conference, students from the graduate program of Visual and Cultural Studies and the English department formed a reading group, which read and discussed parts of Ma’s first two books—Melancholy Drift: Marking Time in Chinese Cinema and Sounding the Modern Woman—as well as a portion of her current book At the Edges of Sleep, forthcoming with University of California Press. The excerpt combined writings from two chapters, both of which closely …

Knowing Yourself, Historically: An Interview with Hazel Carby

By Joel Burges, Jerome Dent, Alisa V. Prince, Patrick Sullivan, Jeffrey Allen Tucker, with Hazel V. Carby Hazel Carby was the University of Rochester’s 2018/2019 Distinguished Visiting Humanist. Since 2012, the Distinguished Visiting Humanist program has brought scholars and artists to campus for three to four days in activities that are both academic and public. This interview took place on the last day of Hazel Carby’s visit to University of Rochester in February of 2019, closing three days of formidable exchanges between Professor Carby and the Rochester community. During this three-hour discussion, graduate students and faculty from the university’s English Department and Graduate Program in Visual and Cultural Studies engaged Professor Carby on her latest work, Imperial Intimacies, asking what inspired her to approach British imperialism through autobiographical writing, or what she calls “auto history.” The conversation centers on Carby’s imperative to think about ourselves as historical subjects. To trace this theme in her body of work, the interview covers her career trajectory from the United Kingdom to the United States, as she developed foundational …

Aubrey Anable, Playing with feelings cover

Game Studies in Visual and Cultural Studies at University of Rochester

At the occasion of the launch of IVC 30 Poetics of Play and the “Breaking Boundaries with Video Games 3” conference held at University of Rochester on April 18-19 2019, we asked VCS alumna Aubrey Anable to share with us her experience of writing a dissertation on interactive media in VCS. Aubrey Anable is Assistant Professor of Film Studies in The School for Studies in Art and Culture at Carleton University, where she is also cross-appointed with the Institute for Comparative Studies in Literature, Art, and Culture. Her book Playing with Feelings: Video Games and Affect (University of Minnesota Press, Spring 2018) provides an account of how video games compel us to play and why they constitute a contemporary structure of feeling emerging alongside the last sixty years of computerized living. Anable is an advisory editor for the journal Camera Obscura. She is currently co-editing The Wiley Blackwell Companion to Visual Culture. We invited Byron Fong, PhD student currently enrolled in the VCS program working on video game theory and organizer of the Breaking Boundaries conference to the conversation. The interview is moderated …

EcoArtTech Interview: “Basecamp.exe”

EcoArtTech What does the term ‘ecologies’ mean to you and how is represented in Basecamp.exe? We see our creative work as a part of a performative response to cultural and theoretical conversations. Basecamp.exe, like much of our research, is highly influenced by but also building off of Félix Guattari’s Three Ecologies, in which “ecology” is described as an intertwining of the social, the psychic, and the environmental. To affect one is to affect all three. In one of our favorite parts of Three Ecologies, Guattari transfers the discourse of species extinction to the human imagination, moving from the environmental to the psychic: “It is not only species that are becoming extinct,” he writes, “but also the words, phrases, and gestures.” Put in another way: the agricultural and ecological monocultures being created by our industrial systems are simultaneous with the creation of what Vandana Shiva has called “monocultures of the mind.” Perhaps, every time we lose another species from our planet’s biodiversity we also lose another way of thinking, imagining, being, and relating. Guattari also obliquely …

Interview with Ivan Gaskell

On April 5, 2013, Ivan Gaskell delivered the keynote address of the University of Rochester’s ninth Visual and Cultural Studies conference: “A Matter of Time: Temporalities of Material Culture.” In his whimsically titled speech,”Buds, Bugs, and Bird Skulls: Do Such Things Perdure?”, Gaskell offered a poignant reflection on the various mechanisms immanent to the museum, bringing attention to a number of objects, beautiful and initially mystifying, that challenged the entrenched conventions of curation. We at InVisible Culture had the immense fortune to sit down with Ivan during the conference weekend for a more intimate look into his thinking, and to conduct the interview you see here.Over the coming year, we plan on releasing a number of additional interviews, each featuring an exciting thinker who participates in a discourse different than that of the scholar before it. Special thanks are due to Ivan Gaskell for granting this interview, and our parent institution, the University of Rochester, for its continual support over the years. – Video produced by Paul Thomas Rubery Interviewer: Eitan Freedenberg Shot and Edited …