All posts filed under: Artworks

Fieldnotes from the Hy Meisel Slide Collection

Written by Ali Feser An inquiry into the senses, in this light, directs us beyond the faculties of a subject to the transfers, exchanges, and attachments that hinge the body to its environment. Objects are endowed with histories of sensory experience, stratified with a plurality of perceptual possibilities.1 Outbreaks of nostalgia often follow revolution.2 Hy […]

Alone Together

Artwork by Erika Raberg. Alone Together, 2014, HD video, single channel projection, 3 minutes, looped. Artist Statement Alone Together considers the idea of partnership in opposition. Drawing from footage filmed from the VIP section of a boxing tournament, it visually isolates a specific gesture from boxing matches in which the appearance of intimacy emerges briefly […]

No-Stop City

By Alan Ruiz “Significant economic growth has taken place and productive forces have expanded (technology, the destructive control of nature) without disturbing the social relationships of production. […] Development hasn’t kept pace across the board. And this results in the magnitude of the inequality of growth and development.”1 Written in 1968, Henri Lefebvre’s observation foreshadows […]

The BLUEPRINT/Product Disparity: Learning from Lofty Plans and Humble Products

Artwork By Robert Watkins Where do art and academia meet? Can academic writing be artistic? Are academic journals art? Journals like Kairos, Digital Humanities Quarterly, Computers and Composition Online, and InVisible Culture (among others) like to push the boundaries of what is art and what is academia. Some may argue that they don’t push the […]

The Color of Silence

Artwork By Shalom Gorewitz Artist’s statement: Hidden Revelations  “Vision begins with a fault in this world’s smooth facade.” -Howard Nemerov I’m staring at a blank wall.  There is a window in between.  I am inside looking out. I’m staring at a television set.  There is a screen in between.  I am outside looking in. I’m moving […]

Seeing / Being Seen

Artwork By Justin Nolan Seeing / Being Seen is a reflection on tourism, spectacle, and surveillance. The ubiquity of cameras at cultural sites like Times Square has shifted the memorializing function of the camera. The camera as a tool for experiencing place is nothing new but it becomes much more pervasive when digital cameras allow for […]

Internal Frontier

Artwork By Kasia Ozga Artist’s Statement: Non-EU immigrants to France seeking long-term residency permits are required to obtain x-rays in order to be cleared for processing. Every day, the government asserts its right to peer into and catalogue the innermost parts of our bodies, in order to determine who gets to stay within its borders and […]

Bullet Hell

Artwork By Adam Sulzdorf-Liszkiewicz and Anton Hand (RUST LTD.) Bullet Hell (2012) is a side-scrolling 2D game in which the user controls the movement of a bullet. As with games like Canabalt and Robot Unicorn Attack, the object of the game is to prolong gameplay by avoiding collisions with the surrounding environment, and as gameplay progresses […]

Come In and Cassette Tape Leader, Ocean Horizon, and Ruled Paper Line

Erin Johnson Artist’s Statement: Over the past few years, I have worked with Morse Code operators in Marin County, California, whose sea-side station was shut down in 1999 when commercial telegraphy was officially taken off the air. In 2009, the operators re-opened the doors to the closed station and started sending out messages, but this […]


Paul Qaysi “Misprints” investigates the effect of destruction, trauma, and memory through deliberately accidental printing. Photojournalism ‘represents’ casualties of war; they refer to an actual event. Misprints suppress the literal, and ‘present’ destruction and the meaning of loss of life which is reconstructed in afterthoughts, how we think about it over time. In my first […]

Prepare to Qualify

Clint Enns Artist’s Statement: Prepare to Qualify is a short video that was made on a circuit-bent Atari using Namco’s classic 1982 video game Pole Position as source material. For those unfamiliar, circuit-bending is the creative re-wiring (and short-circuiting) of low voltage electronic devices such as children’s toys and small digital synthesizers. Circuit bending is […]

Video Preservation (NTSC)

Walter Forsberg Artist’s Statement: I began to think very seriously about the historical longevity of video test patterns while managing the New Museum of Contemporary Art’s XFR STN – an open-door, artist-centered media conservation laboratory that ran for 3 months in the summer of 2013. There, I provided countless explanations to the public, who passed daily through […]

EcoArtTech Interview: “Basecamp.exe”

EcoArtTech What does the term ‘ecologies’ mean to you and how is represented in Basecamp.exe? We see our creative work as a part of a performative response to cultural and theoretical conversations. Basecamp.exe, like much of our research, is highly influenced by but also building off of Félix Guattari’s Three Ecologies, in which “ecology” is […]

Eddee Daniel: Hard Ecology: Rethinking Nature in an Abstract Landscape

Eddee Daniel My work examines the intersection of humanity, nature and culture and how images serve to construct our understandings of nature. I am attracted to the contradictory realities I perceive in a world where nature is increasingly transformed, reduced and abstracted. The resilience of human culture is being tested on a global scale by […]

Hiltrud Aliber: Earthing / Unearthing: With Closed Eyes I See

Hiltrud Aliber I draw with closed eyes. My closed eyes allow me to take a break from the relentless visual processing required by our contemporary technological culture and visual-material world. Enabled by the drawing process, my inner journeys navigate a strange geography where areas of the paper activate specific sites on the mental landscape, unearthing […]

Historias Oficiales / Official Histories

Issue 12: The Archive of the Future / The Future of the Archive (Spring 2008) Carla Herrera-Prats Historias Oficiales—Official Stories Exhibited at la Celda Contemporanea, Mexico City, August–October 2006 Official Stories was originally an installation of archival material intended as an inquiry into the transformation of the Mexican government’s political investment in pre-Hispanic iconography and […]