Author: IVC Author

Visual Occupations: Violence and Visibility in a Conflict Zone

Reviewed by Kristin Flade, Free University Berlin Hochberg, Gil Z. Visual Occupations: Violence and Visibility in a Conflict Zone. Durham: Duke University Press, 2015. Paperback. 224 pp. “There is, in other words, no war without the spectacle of war.” In Visual Occupations, Gil Hochberg, Professor for Comparative Literature and Gender Studies at UCLA, sets out […]

Hans Richter’s Rhythmus Films in G: the Collective Cinematographic

Written by Erin McClenathan Filmmaker Hans Richter was one of the founding contributors to G: Materials for Elemental Form-Creation (G: Material zur elementaren Gestaltung) and the only to stay his tenure as editor through the journal’s entire six-issue run from July 1923 to April 1926.1 The G-group did not intend for their Berlin-based publication to uphold […]

Alone Together

Artwork by Erika Raberg. Alone Together, 2014, HD video, single channel projection, 3 minutes, looped. Artist Statement Alone Together considers the idea of partnership in opposition. Drawing from footage filmed from the VIP section of a boxing tournament, it visually isolates a specific gesture from boxing matches in which the appearance of intimacy emerges briefly […]

Hanan al-Cinema: Affections for the Moving Image

Reviewed by Najmeh Moradiyan Rizi, University of Kansas Laura U. Marks. Hanan al-Cinema: Affections for the Moving Image. Cambridge, MA: MIT Press, 2015. Hardcover. 416 pp. In recent decades Arab independent and experimental filmmakers have presented the world with some of the most distinctive artistic works through their various cinematic practices. The scholarly and close […]

Mike Kelley: Educational Complex

Reviewed by Kirin Wachter-Grene, New York University Miller, John. Mike Kelley: Educational Complex. London: Afterall Books, 2015. Paperback. 124 pp. John Miller’s monograph Mike Kelley: Educational Complex is part of the Afterall Books One Work series, which claims, “a single work of art can literally transform, however modestly, the way we look at and understand the world.” Indeed, […]

Representing Anti-Vaccination: From James Gillray to Jenny McCarthy

The natural body meets the body politic in the act of vaccination, where a single needle penetrates both. – Eula Biss, On Immunity: An Inoculation1 In the 1802 colored etching for the Anti-Vaccine Society, “The Cow-Pock—or—the Wonderful Effects of the New Inoculation!,” James Gillray, a political cartoonist, sensationalizes the scene of inoculation. Depicted in the […]

Examining Amsterdam RealTime: Blueprints, the Cartographic Imaginary and the Locative Uncanny

Written By Ned Prutzer In Human Machine Reconfigurations: Plans and Situated Actions, Lucy Suchman argues that all plans or blueprints are contingent upon different modes, styles, and visions that precede the plan itself. Plans are rendered “abstractions over action” rather than final, complete, or faithful articulations of action.1 There are myriad contexts, actors, institutions, and […]

No-Stop City

By Alan Ruiz “Significant economic growth has taken place and productive forces have expanded (technology, the destructive control of nature) without disturbing the social relationships of production. […] Development hasn’t kept pace across the board. And this results in the magnitude of the inequality of growth and development.”1 Written in 1968, Henri Lefebvre’s observation foreshadows […]

The BLUEPRINT/Product Disparity: Learning from Lofty Plans and Humble Products

Artwork By Robert Watkins Where do art and academia meet? Can academic writing be artistic? Are academic journals art? Journals like Kairos, Digital Humanities Quarterly, Computers and Composition Online, and InVisible Culture (among others) like to push the boundaries of what is art and what is academia. Some may argue that they don’t push the […]

The Intervals of Cinema

Reviewed by Zachary Tavlin, University of Washington Jacques Ranciére. The Intervals of Cinema. Translated by John Howe. London and New York: Verso Books, 2014, 154 pp. Jacques Ranciére’s The Intervals of Cinema, a loose collection of essays on film and filmmakers ranging from Hitchcock to Costa, opens with an excellent preface in which Ranciére writes […]

The New Prophets of Capital

Reviewed by Lyle Jeremy Rubin Nicole Aschoff. The New Prophets of Capital. New York: Verso. 2015. Paperback. 160 pp. The only thing more treacherous than a satanic minion is a false idol. For radical critics of society, the latter functions as a craftier version of the former. While the social Darwinist on Wall Street isn’t doing […]

Occupy: Three Inquiries in Disobedience

Reviewed by Ryan Watson W.J.T. Mitchell, Bernard Harcourt, and Michael Taussig. Occupy: Three Inquiries in Disobedience. Chicago: University of Chicago Press. 2013. Paperback. 152 pp. How does one properly theorize and historicize a movement like Occupy that is inherently shape-shifting, leaderless, intimately tied to specific contexts and places, and still evolving? In Occupy: Three Inquiries […]

“I am Kenji” and the Indignity of Wearing the Others’ Look

Figure 1. “I AM KENJI,” Facebook page, (Accessed March 8, 2015). On January 20, 2015, ISIS released a ransom video featuring two Japanese hostages identified as Kenji Goto and Haruna Yukawa. That same day, Goto’s friend Taku Nishimae started a Facebook page titled “I am Kenji,” and subsequently posted a photograph of himself holding […]

Opacity and Sensation in Reynier Leyva Novo’s Historical Installations

Written By Guillermina De Ferrari In revolutionary Cuba, history is never about the past. In the early days of the Revolution, state-sponsored cultural production paid much attention to the nineteenth century with one objective: to suggest that the struggle for Independence from Spain in the 1890s hadn’t been fully accomplished until the 1959 Revolution. The most […]

The Problem of Nonhuman Phenomenology: or, What is it Like to Be a Kinect?

Written By Anne Pasek New materialism presents an ambitious revision of key philosophical and political concepts, most notably that of the divide between human and nonhuman agents. In order to move critical inquiry outside of the labyrinths of language so that it might also attend to the material effects and actions of the nonhuman world, threads […]

Afterthoughts on Queer Opacity

Written By Nicholas de Villiers What can a celebrity body be if not opaque? And yet what if the whole point of celebrity is the spectacle of people forced to tell transparent lies in public? We have already mentioned what we take to be a central chord in our culture of “knowingness”—the reserve force of information, […]

Knit for Defense, Purl to Control

Written By Jacqueline Witkowski “Sometimes the war news seems so abstract and it’s hard to imagine what it’s like for soldiers—knitting helped make it real to me.” 1 Left in the visitor’s notebook, this statement commented on Sabrina Gschwandtner’s Wartime Knitting Circle (2007), an interactive installation that invited the audience to sit down with the artist […]

The Color of Silence

Artwork By Shalom Gorewitz Artist’s statement: Hidden Revelations  “Vision begins with a fault in this world’s smooth facade.” -Howard Nemerov I’m staring at a blank wall.  There is a window in between.  I am inside looking out. I’m staring at a television set.  There is a screen in between.  I am outside looking in. I’m moving […]

Seeing / Being Seen

Artwork By Justin Nolan Seeing / Being Seen is a reflection on tourism, spectacle, and surveillance. The ubiquity of cameras at cultural sites like Times Square has shifted the memorializing function of the camera. The camera as a tool for experiencing place is nothing new but it becomes much more pervasive when digital cameras allow for […]

Internal Frontier

Artwork By Kasia Ozga Artist’s Statement: Non-EU immigrants to France seeking long-term residency permits are required to obtain x-rays in order to be cleared for processing. Every day, the government asserts its right to peer into and catalogue the innermost parts of our bodies, in order to determine who gets to stay within its borders and […]

Pay for Your Pleasures

Reviewed by Kirin Wachter-Grene Cary Levine. Pay For Your Pleasures: Mike Kelley, Paul McCarthy, Raymond Pettibon. Chicago: University of Chicago Press. 2013. Hardcover. 211 pp. Cary Levine’s first book, Pay For Your Pleasures: Mike Kelley, Paul McCarthy, Raymond Pettibon, uses three of America’s most transgressive artists to reconsider the concept of “transgressive” art. The first book […]

Building Zion

Reviewed by Dai Newman Thomas Carter. Building Zion: The Material World of Mormon Settlement. Minneapolis: University of Minnesota Press, 2015. 408pp. The standard narrative of the settling of the Great Basin by members of the Church of Jesus Christ of Latter-day Saints asserts that the Mormons moved west to craft a radically different society. Polygamy, […]

Radio Benjamin

Radio Benjamin

Reviewed By Anna-Verena Nosthoff Walter Benjamin. Radio Benjamin. Edited by Lecia Rosenthal. Translated by Jonathan Lutes with Lisa Harries Schumann and Diana K. Reese. London and New York: Verso Books, 2014, 424 pp. In view of the overwhelming popularity of Benjamin’s theoretical writings on the artwork, technology, and cultural-political change, it is curious that so little […]

The Threads that Bind Us

In the home of an unknown Belgian collector, Ghada Amer’s work, La Belle Au Bois Dormant (1995) dances alone. The instillation consists of a white dress, a red dress, a chair, a mannequin and a music box. The red dress is entirely deflated, while the white dress appears starched and up right. The white dress […]