All posts tagged: speculative visions

Contributors / Issue 27: Speculative Visions

Darrell Urban Black was born in Brooklyn, New York, but he grew up in Far Rockaway, New York. In high school, he excelled in science with an affinity for outer space. In June 1969, as America fulfilled J. F. Kennedy’s dream to put the American Stars and Stripes into the dusty surface of the moon his fascination with spaceships grew. As a child, he made spaceship models eventually placing his artistic visions on paper resulting in some 500 drawings. Phantasmal spaceships eventually carried him to unique wonderland of strange forms and colors. In 1982, he joined the National Guard.  During this time, his previous drawings were lost – but not his passion.  In 1988, he joined the army and served another four years. He earned his Bachelor Degree in Science of Criminal Justice Administration at the University of Phoenix. In April 2001, he was nominated by the German government as a “candidate of the year’s prize for promising young artists” for his artwork titled “The Invasion” in the exhibition “The Zeppelin in Art, Design, and …

Horrific Flesh, Holy Theater

by Jenn Cole, PhD. Do away with the actor and you do away with the means by which a debased stage-realism is produced and flourishes. No longer would there be a living figure to confuse us into connecting actuality and art; no longer a living figure in which the weakness and tremors of the flesh were perceptible. – Edward Gordon Craig, from “The Actor and the Über- Marionette” When I was ten, I found a religious pamphlet in my stepmother’s purse, which I obsessively read and re-read. It featured a story about an eighth-century Basilian monk who, saying mass, was overcome with doubt about the transformation of the communion elements of bread and wine into the flesh and blood of Jesus Christ.  As this monk began to doubt, the bread and wine turned to real flesh and real blood before his eyes. The pamphlet spent the rest of its brief pages describing the scientific testing that had been done to prove that the fleshy membrane and coagulated blood, conserved in an ornate monstrance, were, in …

The Art of Definism

Artwork by Darrell Black, 2017 My name is Darrell Black, an American visual artist living in Frankfurt, Germany. I work in a variety of formats that include Paintings on canvas,wood and wall hanging sculpture I use in my creative process a mixture of acrylic paint, found objects and non-toxic hot glue on canvas and wood, that help to create a sense of realism and presence in the artworks. This form of  Artwork illusion and interpretation is called ”Definism” Which, in my opinion portrays various differences in human nature,from life’s everyday dramas to humankind’s quest to under-standing self. The main focus of  the artworks, is transporting viewers from the doldrums of their daily reality, to a visual world where images coexist in a alternate reality that  everyone in contact with the artwork can interact through touch while simultaneously interpreting and understanding with one’s own power of imagination.  

Extraordinary Conceptions

Artwork by Julie Tixier, 2016 Julie Tixier is a French photographer artist whose practice explores the way human nature is changing under the influence of emerging techno-sciences. She reflects on how these contemporary advances increasingly question the borders of humanity by altering and redefining our human species and its future evolution. Through her photographs, the artist reinvents the scientific language to tackle the experimental conditions of contemporary scientific research. She interlaces scientific methodology and unbridled imagination, blurring the boundaries between photographic representation and microscopic imagery, the organic and the synthetic, the human and the non-human. Somewhere between reality and fiction, the artist draws attention to complex issues in a satirical and playful language. Her websites can be found at: http://julietixier.com/ and https://www.instagram.com/jl.txr/ Extraordinary Conceptions (2016) ‘Extraordinary Conceptions’ looks at the current genetic modifications on embryos and imagines the future cross-breed new species of laboratories. The relations and boundaries between species are becoming increasingly blurred with the advances of biotechnologies. The current research enables the transfer of genetic material from one species to an other, from animal to …

Extended Flight: The Emergence of Drone Sovereignty

Artwork by Adam Fish, Bradley Garrett, and Oliver Case, 2016   Introduction  Landeyjarsandur, Iceland is a long expanse of black beach stretching down the southern coast of Iceland 1.5 hours southeast of Reykjavik. We took the journey to this place with two Icelandic internet engineers to make a film about how North Atlantic islands are linked by communication networks consisting of fibre-optical cables and cable stations. Landeyjarsandur’s features are largely organic – even the remains of long-abandoned fishing boats and washed up cultural objects seem to have long folded themselves into the environmental matrix. One feature remains distinct however: a small well-fortified building that houses the submarine communications cable landing point between Denmark and Greenland. Part of our methodology was to deploy drones with high-quality videos cameras to follow the cables from the air. However, in taking to the air, we experienced a methodological disjunction, a moment when our expectations and desires as pilots were outstripped by an event. This article, and the accompanying film, is about a situation where our previous experience of autonomy …

Pro-found Objects: The Magick of the Mundane

Artwork by Michael E. Stephen, 2015-2016 Everything is an object and we’re all a mysterious collection of them. a Topp’s trading card signed by that favorite sports athlete shoved into the spokes of a bicycle, a bag of Andy Capp’s Hot Fries from the ice rink; your special penny; a teddy bear missing a nose due to over excessive kisses; cults; all religions; cold glasses of milk; a moment of regret; blanket forts; a quartz crystal; the rare black witch moth (ascalapha odorata); a stranger’s Polaroid; the only gold plated VHS in the world; a chewed drafting pencil with embedded histories; cinephilism; first kisses; bruises and scars. Our attraction to objects is often mysterious.  It is here in this mysterious zone of attraction, where I seek to reveal the omen in the ordinary. From an auctioned set of wisdom teeth to a piece of lunar meteorite, my works, composed from appropriated, altered and cast materials, evoke the complex visual experience culled from subcultures of the 1970s-1990s. Cloaked in a psychotronic aesthetic of filmic culture, these …